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多麗絲·萊辛小說中的女性話語建構(gòu):規(guī)訓(xùn)與抵抗 版權(quán)信息
- ISBN：9787310049295
- 條形碼：9787310049295 ; 978-7-310-04929-5
- 裝幀：一般膠版紙
- 冊數(shù)：暫無
- 重量：暫無
- 所屬分類：>
多麗絲·萊辛小說中的女性話語建構(gòu):規(guī)訓(xùn)與抵抗 本書特色
邱楓編著的《多麗絲·萊辛小說中的女性話語建構(gòu)——規(guī)訓(xùn)與抵抗（英文版）》試圖用多種視角（包括？玛P(guān)于身體、權(quán)力與反抗的理論，女性主義關(guān)于空間的理論，法國女權(quán)主義學(xué)者關(guān)于“女性寫作”的理論）來解讀英國現(xiàn)當(dāng)代小說家多麗絲·萊辛的五部曲小說《暴力的孩子》。 通過近乎紀(jì)錄片式的對女性成長的刻畫，多麗絲·萊辛的作品試圖改寫被男權(quán)中心主義意識(shí)形態(tài)不斷刻寫的文學(xué)傳統(tǒng)和社會(huì)現(xiàn)實(shí)，讓以往被邊緣化和消聲的女性身體發(fā)出自己的聲音，完成女性獨(dú)特的書寫，開辟屬于她們的空間。
多麗絲·萊辛小說中的女性話語建構(gòu):規(guī)訓(xùn)與抵抗 內(nèi)容簡介
《多麗絲·萊辛小說中的女性話語建構(gòu)：規(guī)訓(xùn)與抵抗（英文版）》共分4章，通過女性主義文學(xué)批評的視角，分析、評述了英國現(xiàn)當(dāng)代小說家多麗絲·萊辛具有代表性的五部曲小說。論證了其作品中的女性既是社會(huì)中被權(quán)力規(guī)訓(xùn)的對象，又是消解權(quán)力的主體，作為一部宏偉的女性史詩，其女主角在這部史詩中以女性書寫開辟了自己的空間，也使自己成為了獨(dú)樹一幟的女性成長小說的主人公。
多麗絲·萊辛小說中的女性話語建構(gòu):規(guī)訓(xùn)與抵抗 目錄
前言（Preface）
縮略語（Abbreviations）
Introduction
Chapter One Children of Violence as Female Bildungsroman
I. Dialogism of Binary Oppositions in Children of Violence
A. Dialogism of Body and Mind
B. Dialogism of Individual and Collective
II. Children of Violence as Embodied Female Bildungsroman
A. Female Bildung in Children of Violence
B. Circular Structure of Children of Violence
C. Embodied Female Experience as Alternative Discourse
Chapter Two From Places to Spaces： Female Body as Female Writing
I. Exile of Body and Space
A. Female Body as Other
B. Space as a Woman
II. Places as Enclosures
III. Body as a Textual Space
A. PowerInscription on Body and ResistanceRewriting of Body
B. Female Writing as Women's Space
Chapter Three Phallocentrie Enclosure of Female Body in Ch Violence
I. Female Body Enclosed by the “Beauty Myth”
A. The Slender Body
B. The Charm of Appearance
II. Female Body Regarded as a Reproductive Organ in
Marriage
A. Female Body and Motherhood
B. Pregnant Body as a Public Space
C. Loss of Female Subjectivity in Motherspace
III. Female Body as an Object of Desire in Children of Violence
A. Map of Female Body
B. Timeline of Female Body
IV. Female Body Confined in Symbolic Space of Truth
A. Female Body Defined by Language
B. Female Body Refined by Knowledge
Chapter Four Space of Their Own in Children of Violence
I. Female Body as Space of Fluidity in Martha Quest and
Marriage
A. Lack of Fluidity as Spiritual Wasteland
B. The Fluidity of Multiple Selves
C. The Fluidity of Boundaries between Two Bodies
D. Fluid Boundaries in Coexistence
II. Menstruating Bodies as Site of Resistance in A Proper Marriage
A. Menstruation as Abject
B. Menstruation as Blood Sisterhood
III. Hysteric Bodies Achieving Breakthrough in The FourGated City
A. Hysteria as Reaction to the Fragmentation of Modem World
B. Hysteria Blurring Borders of Consciousness and Unconscious
C. Hysteria as Selfhealing
IV. Female Body Reading City as Palimpsest in The FourGated City
A. The City as Palimpsest
B. The House as Palimpsest
C. Female Consciousness as Palimpsest
D. Female Body as Palimpsest
V. Female Body as Flaneuse Walking in the Space of City
A. Fldneur and Flaneuse
B. Flaneuse Disturbing Dualisms in Space
Conclusion
引述文獻(xiàn)（Works Cited）
縮略語（Abbreviations）
Introduction
Chapter One Children of Violence as Female Bildungsroman
I. Dialogism of Binary Oppositions in Children of Violence
A. Dialogism of Body and Mind
B. Dialogism of Individual and Collective
II. Children of Violence as Embodied Female Bildungsroman
A. Female Bildung in Children of Violence
B. Circular Structure of Children of Violence
C. Embodied Female Experience as Alternative Discourse
Chapter Two From Places to Spaces： Female Body as Female Writing
I. Exile of Body and Space
A. Female Body as Other
B. Space as a Woman
II. Places as Enclosures
III. Body as a Textual Space
A. PowerInscription on Body and ResistanceRewriting of Body
B. Female Writing as Women's Space
Chapter Three Phallocentrie Enclosure of Female Body in Ch Violence
I. Female Body Enclosed by the “Beauty Myth”
A. The Slender Body
B. The Charm of Appearance
II. Female Body Regarded as a Reproductive Organ in
Marriage
A. Female Body and Motherhood
B. Pregnant Body as a Public Space
C. Loss of Female Subjectivity in Motherspace
III. Female Body as an Object of Desire in Children of Violence
A. Map of Female Body
B. Timeline of Female Body
IV. Female Body Confined in Symbolic Space of Truth
A. Female Body Defined by Language
B. Female Body Refined by Knowledge
Chapter Four Space of Their Own in Children of Violence
I. Female Body as Space of Fluidity in Martha Quest and
Marriage
A. Lack of Fluidity as Spiritual Wasteland
B. The Fluidity of Multiple Selves
C. The Fluidity of Boundaries between Two Bodies
D. Fluid Boundaries in Coexistence
II. Menstruating Bodies as Site of Resistance in A Proper Marriage
A. Menstruation as Abject
B. Menstruation as Blood Sisterhood
III. Hysteric Bodies Achieving Breakthrough in The FourGated City
A. Hysteria as Reaction to the Fragmentation of Modem World
B. Hysteria Blurring Borders of Consciousness and Unconscious
C. Hysteria as Selfhealing
IV. Female Body Reading City as Palimpsest in The FourGated City
A. The City as Palimpsest
B. The House as Palimpsest
C. Female Consciousness as Palimpsest
D. Female Body as Palimpsest
V. Female Body as Flaneuse Walking in the Space of City
A. Fldneur and Flaneuse
B. Flaneuse Disturbing Dualisms in Space
Conclusion
引述文獻(xiàn)（Works Cited）
展開全部
多麗絲·萊辛小說中的女性話語建構(gòu):規(guī)訓(xùn)與抵抗 作者簡介
邱楓，北京外國語大學(xué)英語學(xué)院講師，從事英國文學(xué)、英漢互譯、英語批判性閱讀、英語寫作、英語口語等課程的教學(xué)；研究方向：西方文論、女性文學(xué)、現(xiàn)當(dāng)代英國小說；發(fā)表論文2篇，出版教材或教參6部。
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