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當(dāng)代英美影視文化教程 版權(quán)信息
- ISBN：9787562268901
- 條形碼：9787562268901 ; 978-7-5622-6890-1
- 裝幀：一般膠版紙
- 冊(cè)數(shù)：暫無(wú)
- 重量：暫無(wú)
- 所屬分類(lèi)：>>
當(dāng)代英美影視文化教程 內(nèi)容簡(jiǎn)介
本書(shū)為當(dāng)代英美影視文化教程, 以供廣大影視文化相關(guān)研究人員學(xué)習(xí)研究使用。
當(dāng)代英美影視文化教程 目錄
Unit 1 Introduction: Contemporary American and British Screen Culture
1. Movie as an Art
2. Movie as an Industry
3. Movie as a Culture
4. Movie as a Comprehensive Product to Appreciate
Unit 2 Family Ethics: The Complicated Human Relations
CULTURE ISSUE
Family Still as the Basic Social Institution
MOVIE APPRECIATION
1. The Lion King （1994） : Family Is a Responsibility
2. Legends of the Fall （1995） : An American Legend Coming to Life
SONG OF THE WEEK
Can You Feel the Love Tonight?
MOVIE LITERATURE
Literary Elements of Movies
MOVIE ART
Elements of Movie Art
Unit 3 Romance: Eternal Theme and Everlasting Pattern
CULTURE ISSUE
Love Seen as the Eternal Theme of Humanity
MOVIE APPRECIATION
1. Titanic （1997） : The Great Oscar Winner
2. Casablanca （1942） : Landmark of Romance Films
SONG OF THE WEEK
My Heart Will Go On
MOVIE LITERATURE
The Thematic Studies
MOVIE ART
The Academy Awards
Unit 4 Religion: The Backbone of the Society
CULTURE ISSUE
Christianity in American and British Society
MOVIE APPRECIATION
1. The Prince of Egypt （1998 ） : Bible as Literature
2. The Shawshank Redemption （1994） : Resurrection beyond Prison Break
SONG OF THE WEEK
When You Believe
MOVIE LITERATURE
The Movie Structure
MOVIE ART
Film Genre
Unit 5 Education and Campus Life: Challenging Students， Competent
Teachers
CULTURE ISSUE
Education behind the Changes of Cultural Values
MOVIE APPRECIATION
1. Dead Poets Society （1989） :Make the Dead Alive
2. Mr. Holland's Opus （1995） :A Beautiful Life
SONG OF THE WEEK
Visions of a Sunset
MOVIE LITERATURE
The Plot
MOVIE ART
Screenplay， Screenwriter， and Directors
……
Unit 6 Music：The Pulsation of All Human Beings
Unit 7 Children and Animation：Back to the“Age of Innocence”
Unit 8 Science and Fantasy：Will Man Be the Dominator or the Dominated
Unit 9 Environment Problem：An Emergent Issue Concerned Worldwide
Unit 10 Criminal Psychology：Flaw in Humanity
Unit 11 Sense of Humor：Far beyond One's Personality
Unit 12 Wars：Malignant Tumor of Human Society
Unit 13 Women：The Second Sex?
Unit 14 Queer or Strange：Still a Debatable Issue
Unit 15 Cultural Communication：Confrontation and Amalgamation
Unit 16 Postmodernist Culture on the Screen
1. Movie as an Art
2. Movie as an Industry
3. Movie as a Culture
4. Movie as a Comprehensive Product to Appreciate
Unit 2 Family Ethics: The Complicated Human Relations
CULTURE ISSUE
Family Still as the Basic Social Institution
MOVIE APPRECIATION
1. The Lion King （1994） : Family Is a Responsibility
2. Legends of the Fall （1995） : An American Legend Coming to Life
SONG OF THE WEEK
Can You Feel the Love Tonight?
MOVIE LITERATURE
Literary Elements of Movies
MOVIE ART
Elements of Movie Art
Unit 3 Romance: Eternal Theme and Everlasting Pattern
CULTURE ISSUE
Love Seen as the Eternal Theme of Humanity
MOVIE APPRECIATION
1. Titanic （1997） : The Great Oscar Winner
2. Casablanca （1942） : Landmark of Romance Films
SONG OF THE WEEK
My Heart Will Go On
MOVIE LITERATURE
The Thematic Studies
MOVIE ART
The Academy Awards
Unit 4 Religion: The Backbone of the Society
CULTURE ISSUE
Christianity in American and British Society
MOVIE APPRECIATION
1. The Prince of Egypt （1998 ） : Bible as Literature
2. The Shawshank Redemption （1994） : Resurrection beyond Prison Break
SONG OF THE WEEK
When You Believe
MOVIE LITERATURE
The Movie Structure
MOVIE ART
Film Genre
Unit 5 Education and Campus Life: Challenging Students， Competent
Teachers
CULTURE ISSUE
Education behind the Changes of Cultural Values
MOVIE APPRECIATION
1. Dead Poets Society （1989） :Make the Dead Alive
2. Mr. Holland's Opus （1995） :A Beautiful Life
SONG OF THE WEEK
Visions of a Sunset
MOVIE LITERATURE
The Plot
MOVIE ART
Screenplay， Screenwriter， and Directors
……
Unit 6 Music：The Pulsation of All Human Beings
Unit 7 Children and Animation：Back to the“Age of Innocence”
Unit 8 Science and Fantasy：Will Man Be the Dominator or the Dominated
Unit 9 Environment Problem：An Emergent Issue Concerned Worldwide
Unit 10 Criminal Psychology：Flaw in Humanity
Unit 11 Sense of Humor：Far beyond One's Personality
Unit 12 Wars：Malignant Tumor of Human Society
Unit 13 Women：The Second Sex?
Unit 14 Queer or Strange：Still a Debatable Issue
Unit 15 Cultural Communication：Confrontation and Amalgamation
Unit 16 Postmodernist Culture on the Screen
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當(dāng)代英美影視文化教程 節(jié)選
H.G.Wells and Jules Verne， both enjoying the name “father of science fiction”， have produced many notable science fiction works that fall into the hard sci—fi group， including The Time Machine （1895） ， The Island of Doctor Moreau （1896）， The In，visible Man， （1897） ， and The War of th.e Worlds by Wells and A Journey to the Cen，ter of the Earth （1864 ） ， Around the World in 80 Days （1873） ， 20， 000 Leagues Un，der the Sea （1870） by Verne.Related to soft sci—fi or social sci—fi are utopian and dystopian stories； Aldous Huxley’s Brave New World （ 1932） ， George Orwell’s Nineteen Eighty—Four （1949）， and Margaret Atwood’s The Handmaid’s Tale （1985） are examples.Gulliver’s Travels—a satirical novel with fantastic setting—may also be considered a speculative fiction. Science fiction film is a film genre with the screenplay adapted from a science fiction or characterized by speculative， science—based depictions of phenomena that are necessarily accepted by mainstream science， such as extraterrestrial life forms， alien worlds， and time travel， often along with futuristic elements like spacecraft， robots，cyborgs， interstellar space travel or other technologies.Science fiction films have often been used to focus on political or social issues， and to explore philosophical issues like the human condition.In many cases， tropes derived from written science fiction may be used by filmmakers ignorant of or at best indifferent to the standards of scientific plausibility and plot logic to which written science fiction is traditionally held. The settings for science fiction films are often contrary to those of consensus reality， but most science fiction films rely on a considerable degree of suspension of disbelief， which is facilitated in the reader’s mind by potential scientific explanations or solutions to various fictional elements.Science fiction elements include： 1） A time setting in the future （e.g.Metropolis， 1927） ， in alternative timelines （e.g.Looper， 2012） ， or in a historical past that contradicts known facts of history or the archaeological record （e.g.Source Code， 2011） . 2） A spatial setting or scenes in outer space （e.g.Star Trek， 2009） ， on other worlds， or on subterranean earth （e.g.A Journey to the Center of the Earth， 2008 ） ……
當(dāng)代英美影視文化教程 作者簡(jiǎn)介
張強(qiáng)，男，博士，教授，華中師范大學(xué)外國(guó)語(yǔ)學(xué)院英美文學(xué)與比較文學(xué)研究所副所長(zhǎng)，曾主持國(guó)家社科青年基金項(xiàng)目《舍伍德·安德森及其小說(shuō)藝術(shù)》，以及教育部哲學(xué)社科研究后期資助項(xiàng)目《都市對(duì)鄉(xiāng)村的回眸：舍伍德·安德森研究》。
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