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Preface i Acknowledgements iii List of Abbreviations v Chapter One Introduction 1 Chapter Two Novel and Film 23 Chapter Three Cinematic Visualization: Writing with a Camera Eye 57 I. Frequent Cross-references to the Cinema 58 II. Parallels of Different Camera Shots 70 III. The Significance of Different Shots 95 IV. The Significance of the Combination of Different Shots 103 Chapter Four Montage: Fragmentation and Discontinuity 111 I. Quick Sequences of Brief Images 113 II. Metaphorical Montages 120 III. Parallel Montages and Jump Cuts 130 IV. Flashback Montages 139 V Conclusion 145 Chapter Five Phillips’s Cinematic Use of Light, Color and Sound 147 I. Light 147 II. Color 176 III. Sound 195 Chapter Six Cinematic Imagination 225 Bibliography 235