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中國(guó)現(xiàn)代通俗文學(xué)與通俗文化互文研究

中國(guó)現(xiàn)代通俗文學(xué)與通俗文化互文研究

出版社:江蘇鳳凰教育出版社出版時(shí)間:2017-02-01
開(kāi)本: 26cm 頁(yè)數(shù): 2冊(cè)(650;736
本類(lèi)榜單:文學(xué)銷(xiāo)量榜
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中國(guó)現(xiàn)代通俗文學(xué)與通俗文化互文研究 版權(quán)信息

  • ISBN:9787549962921
  • 條形碼:9787549962921 ; 978-7-5499-6292-1
  • 裝幀:一般膠版紙
  • 冊(cè)數(shù):暫無(wú)
  • 重量:暫無(wú)
  • 所屬分類(lèi):>

中國(guó)現(xiàn)代通俗文學(xué)與通俗文化互文研究 本書(shū)特色

Nvwa and Fuxi
Nvwa and Fuxi are often represented as half-snake, halfhuman creatures. N.wa, appearing in literature no earlier than about350 BC, is said to have recreated, or created humanity. Her companion was Fuxi, the brother and husband of N.wa. These two beings are sometimes worshipped as the ultimate ancestor of all humankind. N.wa was also responsible for repairing the sky after Gong Gonga damaged the pillar supporting the heavens .
Pangu
Pangu, appearing in literature about 200 AD, was the first sentient being and creator. In the beginning there was nothing but a formless chaos. However this chaos grew into a cosmic egg for about 18,000 years. Within it, the perfectly opposed principles of Yin and Yang became balanced, and Pangu emerged (or woke up) from the egg and set about the task of creating the world. He separated Yin and Yang with a swing of his great axe. The heavy Yin sank to become the Earth, while the light Yang rose to become the Heavens. Pangu stood between them, and pushed up the sky. At the end of eighteen thousand years, Pangu laid to rest. His breath became the wind; his voice the thunder; left eye the sun and right eye the moon; his body became the mountains and extremes of the world; his blood formed rivers; his muscles the fertile lands; his facial hair the stars and milky way; his fur the bushes and forests; his bones the valuable minerals; his bone marrow sacred diamonds; his sweat fell as rain; and the little creatures on his body (in some versions, the fleas), carried by the wind, became human beings all over the world.

中國(guó)現(xiàn)代通俗文學(xué)與通俗文化互文研究 內(nèi)容簡(jiǎn)介

本書(shū)主要內(nèi)容包括: 通俗文學(xué)與蘇州評(píng)彈, 通俗文學(xué)與戲曲話劇, 通俗文學(xué)與電影藝術(shù), 通俗文學(xué)與報(bào)紙副刊, 通俗文學(xué)與期刊、畫(huà)報(bào), 通俗作家與早期翻譯, 通俗文學(xué)的營(yíng)銷(xiāo)策略。

中國(guó)現(xiàn)代通俗文學(xué)與通俗文化互文研究 目錄

一 通俗文學(xué)與蘇州評(píng)彈二 通俗文學(xué)與戲曲話劇三 通俗文學(xué)與電影藝術(shù)四 通俗文學(xué)與報(bào)紙副刊五 通俗文學(xué)與期刊、畫(huà)報(bào)六 通俗作家與早期翻譯七 通俗文學(xué)的營(yíng)銷(xiāo)策略八 中國(guó)近現(xiàn)代轉(zhuǎn)型期國(guó)情與民風(fēng)的流變九 通俗小說(shuō)宏觀研究十 中國(guó)現(xiàn)代幻想小說(shuō)十一 通俗作家筆下的散文小品研究十二 通俗文學(xué)作家的時(shí)評(píng)雜感十三 通俗作家文史札記研究十四 通俗作家的新舊體詩(shī)歌后記
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中國(guó)現(xiàn)代通俗文學(xué)與通俗文化互文研究 作者簡(jiǎn)介

吳鼎民教授,原南京航空航天大學(xué)外國(guó)語(yǔ)學(xué)院院長(zhǎng),享受?chē)?guó)務(wù)院特殊津貼專家,現(xiàn)于國(guó)外從事中國(guó)文化教學(xué)工作。

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