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798AND CONTEMPORARY ART-(798與當(dāng)代藝術(shù)) 版權(quán)信息
- ISBN:9787119060194
- 條形碼:9787119060194 ; 978-7-119-06019-4
- 裝幀:一般銅版紙
- 冊數(shù):暫無
- 重量:暫無
- 所屬分類:>
798AND CONTEMPORARY ART-(798與當(dāng)代藝術(shù)) 本書特色
The period marking Chinese contemporary art began in the mid-1980s.The second stage of contemporary art began in the early 1990s. Chinese contemporary art was no longer an experiment using concepts of Western art or imitation of its methods; Chinese art peaked on its own, making full use of methods that were explored, imported,and learned in the 1980s.
798AND CONTEMPORARY ART-(798與當(dāng)代藝術(shù)) 內(nèi)容簡介
in china, if you have exhibited at 798, you have "made it" as an artist. relatively little-known outside china until very recently, every travel guide on china now mentions 798. it has captured the attention of the international art world and is developing into a major cultural phenomenon.
as this book shows, 798 is the result of a unique cultural paradox: as china embraces more and more individual artistic freedom, this is combined with china's long, collectivist history gf "doing work together." for the artists who have exhibited at 798,their association has become a badge of legitimacy within the art world and often a passport to worldwide acclaim. this book offers a revealing first-look behind the artistic and cultural phenomenon that is at the vanguard of contemporary chinese art.
798AND CONTEMPORARY ART-(798與當(dāng)代藝術(shù)) 目錄
preface
from factory to fantasy
academy in a factory
bauhaus and loft
revival and survival
foreseen prosperity: artists in alienation
windows to chinese contemporary art
the emergence of chinese contemporary art
chinese contemporary art in the 1990s
chinese contemporary art since 2000
artists
sui jianguo→huang rui→ai weiwei→xu yong→li xiangqun→li tianyuan→he yunchang→ma han→cang xin→wang qingsong→liu liguo→canghai and shi yan→lli shanchuan→wang huaxiang
exploring 798
798AND CONTEMPORARY ART-(798與當(dāng)代藝術(shù)) 節(jié)選
《798與當(dāng)代藝術(shù)(英文)》,本書主要介紹798藝術(shù)作品及相關(guān)評論等。
798AND CONTEMPORARY ART-(798與當(dāng)代藝術(shù)) 相關(guān)資料
插圖:As mentioned before, Li Xiangqun played an important role for the preservation of798. In 2004, 798 came close to being shut down. As a deputy of the Beijing MunicipalPeople's Congress, O Xiangqun submitted a bill dealing with the protection of historicindustrial architectural structures and the protection of the growing cultural industo'. Hisbill played a pivotal role in 798's salvation. At the mention of his title as "deputy," Li justsmiled. He was humble about his position in the local people's congress, regarding it asan opportunity to champion vulnerable people; he grew up in a poor family. He hadmost certainly performed a valuable service for a number of artists.Li Xiangqun separated artists into three categories: one group is the artists in the stateart administration institutions, such as the painting institute and the art society. Theyare paid by the government and work mainly for the government. Their works havefew personal touches. Another group is the "SoHo artists," who are unattached toany institute and therefore have more independent ideas. The third group incorpo-rates the ideas of the other two, combining traditional concepts with individuality. LiXiangqun is an academy artist. At school, he is a teacher, in 798, he is part of a com-munity of artists.
798AND CONTEMPORARY ART-(798與當(dāng)代藝術(shù)) 作者簡介
Kaixuan Cui is an art critic and curator. He is a memberof the Beijing University of Technology faculty. Cuiwas instrumental in setting up the exhibitions: Bering2008 ; You, Me and In Between, and Home Workshop -Beijing Olympics Series.Wenya Huang is a photographer whose work has beenpublished in Oriental Arts, China Galley and ConceptualPhotography.
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