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中國(guó)文化:工藝:Artesania

中國(guó)文化:工藝:Artesania

出版社：五洲傳播出版社出版時(shí)間：2018-01-01
開(kāi)本： 21×21cm 頁(yè)數(shù)： 362頁(yè)
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中國(guó)文化:工藝:Artesania 版權(quán)信息

  • ISBN：9787508537320
  • 條形碼：9787508537320 ; 978-7-5085-3732-0
  • 裝幀：暫無(wú)
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中國(guó)文化:工藝:Artesania 本書(shū)特色

叢書(shū)從源遠(yuǎn)流長(zhǎng)的中國(guó)文化中，選取有代表性的10個(gè)領(lǐng)域和專題進(jìn)行介紹，包括哲學(xué)思想、文學(xué)、藝術(shù)、漢字、節(jié)日、飲食、工藝、服飾、建筑、醫(yī)藥等10分冊(cè)。通過(guò)流暢、輕松的文字和精美的圖片，使海內(nèi)外廣大讀者在愉快的閱讀體驗(yàn)中，領(lǐng)略中國(guó)文化的豐富多彩、博大精深。整個(gè)系列中的每種圖書(shū)既各自獨(dú)立，綜合起來(lái)又在精心搭就的框架下，勾勒出中國(guó)文化的總體面貌。
“一方水土養(yǎng)一方人”。歷史上的中國(guó)，是一個(gè)以農(nóng)業(yè)和手工業(yè)為支撐的農(nóng)業(yè)國(guó)家，農(nóng)耕社會(huì)的自然環(huán)境衍生了延續(xù)至今的傳統(tǒng)生活方式。種類繁多的傳統(tǒng)手工藝扎根于民間，與民生民俗息息相關(guān)，以實(shí)用、樸素、溫情的品格展現(xiàn)了中國(guó)從過(guò)往到現(xiàn)代的國(guó)計(jì)民生和區(qū)別于其他文明起源地的文化特征。無(wú)論是服務(wù)于上層的宮廷工藝、充滿文人趣味的士大夫工藝，還是帶有濃郁鄉(xiāng)土氣息的民間手工技藝，發(fā)明創(chuàng)造的初衷源于特定自然環(huán)境中中國(guó)人的生活所需，蘊(yùn)涵著生產(chǎn)與生活的造物智慧，是中華文明的重要載體。
叢書(shū)從源遠(yuǎn)流長(zhǎng)的中國(guó)文化中，選取有代表性的10個(gè)領(lǐng)域和專題進(jìn)行介紹，包括哲學(xué)思想、文學(xué)、藝術(shù)、漢字、節(jié)日、飲食、工藝、服飾、建筑、醫(yī)藥等10分冊(cè)。通過(guò)流暢、輕松的文字和精美的圖片，使海內(nèi)外廣大讀者在愉快的閱讀體驗(yàn)中，領(lǐng)略中國(guó)文化的豐富多彩、博大精深。整個(gè)系列中的每種圖書(shū)既各自獨(dú)立，綜合起來(lái)又在精心搭就的框架下，勾勒出中國(guó)文化的總體面貌。“一方水土養(yǎng)一方人”。歷史上的中國(guó)，是一個(gè)以農(nóng)業(yè)和手工業(yè)為支撐的農(nóng)業(yè)國(guó)家，農(nóng)耕社會(huì)的自然環(huán)境衍生了延續(xù)至今的傳統(tǒng)生活方式。種類繁多的傳統(tǒng)手工藝扎根于民間，與民生民俗息息相關(guān)，以實(shí)用、樸素、溫情的品格展現(xiàn)了中國(guó)從過(guò)往到現(xiàn)代的國(guó)計(jì)民生和區(qū)別于其他文明起源地的文化特征。無(wú)論是服務(wù)于上層的宮廷工藝、充滿文人趣味的士大夫工藝，還是帶有濃郁鄉(xiāng)土氣息的民間手工技藝，發(fā)明創(chuàng)造的初衷源于特定自然環(huán)境中中國(guó)人的生活所需，蘊(yùn)涵著生產(chǎn)與生活的造物智慧，是中華文明的重要載體。The “Chinese Culture” book series includes ten books on philosophical thoughts, literature, art, Chinese characters, festivals, foods and drinks, crafts, clothes, architecture and medicine. Each book introduces the history of a field or theme and the same origin of Chinese culture reflected by it, pursues its existence and manifestation in Chinese people’s life today, tells those “unknown stories” through smooth and relaxing words and exquisite pictures, reveals Chinese people’s thinking habits, behavioral modes, traditional concepts and social life, and helps readers understand “what Chinese people are like and what their thinking modes and living customs are.”As the old saying goes, “Each place has its own way of supporting its own inhabitants.” For China, an agricultural country backed by the agriculture and handcraft industry in the history, is nowadays permeated with traditional lifestyles originated and derived from the natural conditions in farming society. As an outcome of people’s life and customs, an enormous variety of traditional handcrafts are anchored among the folk. Characterized by cultural features differing from other birthplaces of civilization, such practical, simple and warmhearted arts have always demonstrated China’s national economy and people’s livelihood from ancient to modern times. Speaking of court crafts serving rich and powerful ones, scholar-bureaucrat crafts highlighting the fun of literati and folk crafts spilling local flavor, all the intentions to invent and create have come from Chinese’s daily needs in certain natural conditions. All of these crafts, acting as the important carrier of Chinese civilization, contain the wisdom of creation accumulated during production and life.

中國(guó)文化:工藝:Artesania 內(nèi)容簡(jiǎn)介

天有時(shí)，地有氣，材有美，工有巧。中國(guó)傳統(tǒng)工藝在世界各民族的物質(zhì)文化史上有著獨(dú)特的美名。幾千年來(lái)，人們的手工技藝應(yīng)和著日出而作、日落而息的生活節(jié)律而發(fā)展：它所有的品類在其*初的狀態(tài)都與使用有關(guān)，實(shí)用、樸素、溫情，具有與農(nóng)業(yè)文明相適應(yīng)的智慧；即使在它的高端——宮廷工藝和文人工藝中，仍然保持著這種實(shí)用的痕跡和質(zhì)樸的傳統(tǒng)。這一切，都與中國(guó)獨(dú)特的地理位置以及所形成的漫長(zhǎng)的、綿延不絕的農(nóng)耕文化有關(guān)系。它給我們留下了豐富的文化遺產(chǎn)，包含了許多人工造物與生活的智慧。 Crafts depend on skills, as the weather relies on seasons, the earth on the weather, and the material on appearance. Traditional Chinese arts and crafts have won good reputations in the international community in the history of material culture. In thousands of years, craftsmanship has been developed in people’s life and production activities. Originally, all varieties of crafts were made for practical purpose, so they were practical, simple, user-friendly, and adaptive to agricultural progress. Even royal crafts and scholar crafts, the pinnacle of crafts, retained the practical and simple features. They are rich cultural heritages left to us, containing people’s creation and wisdom in life.

中國(guó)文化:工藝:Artesania 目錄

PrefacioCultura Artesanal La Transformaci6n de la Artesania Contemporanea China El desarrollo de la artesania china moderna Artesania tradicional china Parte de la herencia cultural intangible del pals Creaciones de sabios: profesiones tradicionales chinas y sus cuentos. Utensilios Ceramica Vasijas de Bronce LacaROPA Telas Bordado Tenido y estampadoExposicion Mobiliario Cristal esmaltado con incrustaciones de oro y plata Talla de bambu, madera, marfil y huesoDecoracion Jade Cuadros de Ano Nuevo Papel CortadoArtes Populares Juguetes populares Cometas Marionetas Teatro de sombrasComercio Carteles comerciales y Huangzi EmpaquetadoLa artesania tradicional existente Herramientas populares Artes de la fibra Artesania de BambuApendice
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中國(guó)文化:工藝:Artesania 作者簡(jiǎn)介

郭秋惠，1979年生，畢業(yè)于清華大學(xué)美術(shù)學(xué)院藝術(shù)史論系。文學(xué)博士，清華大學(xué)美術(shù)學(xué)院藝術(shù)史論系教師、中國(guó)工藝美術(shù)學(xué)會(huì)理論委員會(huì)會(huì)員。主要從事中國(guó)工藝與設(shè)計(jì)的歷史與理論研究。發(fā)表論文及訪談30余篇，出版的著作有：《中國(guó)傳統(tǒng)工藝》（合著）、《追逐太陽(yáng)的光影•鄧偉》（合編）、《中國(guó)現(xiàn)代藝術(shù)與設(shè)計(jì)學(xué)術(shù)思想?yún)矔?shū)•吳勞文集》、《傳統(tǒng)與學(xué)術(shù)：清華大學(xué)美術(shù)學(xué)院院史訪談錄》（合編）、《光華路：中央工藝美術(shù)學(xué)院影存1956—1999》（合編）等。王麗丹，1978年生，畢業(yè)于清華大學(xué)美術(shù)學(xué)院藝術(shù)史論系。文學(xué)博士，中原工學(xué)院藝術(shù)設(shè)計(jì)學(xué)院教師、中國(guó)工藝美術(shù)學(xué)會(huì)理論委員會(huì)會(huì)員。主要從事中外設(shè)計(jì)歷史與理論研究。發(fā)表論文及訪談20余篇，出版的著作有：《中國(guó)現(xiàn)代藝術(shù)與設(shè)計(jì)學(xué)術(shù)思想?yún)矔?shū)•邱陵文集》、《傳統(tǒng)與學(xué)術(shù)：清華大學(xué)美術(shù)學(xué)院院史訪談錄》（主要撰稿人）、《清華大學(xué)美術(shù)學(xué)院簡(jiǎn)史》（主要撰稿人）、《藝術(shù)鑒賞》（合編）等。Guo Qiuhui, born in 1979, graduated from the Department of Art History of the Academy of Arts Design of Tsinghua University. She is a Doctor of Letters, a teacher at the Department of Art History of the Academy of Arts Design of Tsinghua University, and a member of the Theory Committee of the China National Arts and Crafts Society. She mainly engages in research on the history and theory of Chinese arts and design, and has published more than 30 papers and interviews. Her published works include: Chinese Art Crafts (coauthor), Pursuing the Light of the Sun – Deng Wei (coeditor), Collection of Academic Thoughts on Chinese Modern Art and Design – Collected Works of Wu Lao, Tradition and Learning: A Collection of Interviews on the History of the Academy of Arts Design of Tsinghua University (coeditor), Guanghua Road: Old Photos of the Central Academy of Arts Design (coeditor), etc.Wang Lidan, born in 1978, graduated from the Department of Art History of the Academy of Arts Design of Tsinghua University. She is a Doctor of Letters, a teacher at the School of Art and Design of Zhongyuan University of Technology, and a member of the Theory Committee of the China National Arts and Crafts Society. She mainly engages in research on the history and theory of Chinese and foreign design, and has published more than 20 papers and interviews. Her published works include: Collection of Academic Thoughts on Chinese Modern Art and Design – Collected Works of Qiu Ling, Tradition and Learning: A Collection of Interviews on the History of the Academy of Arts Design of Tsinghua University (main writer), A Brief History of the Academy of Arts Design of Tsinghua University (main writer), Appreciation of Art (coeditor), etc.郭秋惠，1979年生，畢業(yè)于清華大學(xué)美術(shù)學(xué)院藝術(shù)史論系。文學(xué)博士，清華大學(xué)美術(shù)學(xué)院藝術(shù)史論系教師、中國(guó)工藝美術(shù)學(xué)會(huì)理論委員會(huì)會(huì)員。主要從事中國(guó)工藝與設(shè)計(jì)的歷史與理論研究。發(fā)表論文及訪談30余篇，出版的著作有：《中國(guó)傳統(tǒng)工藝》（合著）、《追逐太陽(yáng)的光影•鄧偉》（合編）、《中國(guó)現(xiàn)代藝術(shù)與設(shè)計(jì)學(xué)術(shù)思想?yún)矔?shū)•吳勞文集》、《傳統(tǒng)與學(xué)術(shù)：清華大學(xué)美術(shù)學(xué)院院史訪談錄》（合編）、《光華路：中央工藝美術(shù)學(xué)院影存1956—1999》（合編）等。王麗丹，1978年生，畢業(yè)于清華大學(xué)美術(shù)學(xué)院藝術(shù)史論系。文學(xué)博士，中原工學(xué)院藝術(shù)設(shè)計(jì)學(xué)院教師、中國(guó)工藝美術(shù)學(xué)會(huì)理論委員會(huì)會(huì)員。主要從事中外設(shè)計(jì)歷史與理論研究。發(fā)表論文及訪談20余篇，出版的著作有：《中國(guó)現(xiàn)代藝術(shù)與設(shè)計(jì)學(xué)術(shù)思想?yún)矔?shū)•邱陵文集》、《傳統(tǒng)與學(xué)術(shù)：清華大學(xué)美術(shù)學(xué)院院史訪談錄》（主要撰稿人）、《清華大學(xué)美術(shù)學(xué)院簡(jiǎn)史》（主要撰稿人）、《藝術(shù)鑒賞》（合編）等。 Guo Qiuhui, born in 1979, graduated from the Department of Art History of the Academy of Arts & Design of Tsinghua University. She is a Doctor of Letters, a teacher at the Department of Art History of the Academy of Arts & Design of Tsinghua University, and a member of the Theory Committee of the China National Arts and Crafts Society. She mainly engages in research on the history and theory of Chinese arts and design, and has published more than 30 papers and interviews. Her published works include: Chinese Art & Crafts (coauthor), Pursuing the Light of the Sun – Deng Wei (coeditor), Collection of Academic Thoughts on Chinese Modern Art and Design – Collected Works of Wu Lao, Tradition and Learning: A Collection of Interviews on the History of the Academy of Arts & Design of Tsinghua University (coeditor), Guanghua Road: Old Photos of the Central Academy of Arts & Design (coeditor), etc.Wang Lidan, born in 1978, graduated from the Department of Art History of the Academy of Arts & Design of Tsinghua University. She is a Doctor of Letters, a teacher at the School of Art and Design of Zhongyuan University of Technology, and a member of the Theory Committee of the China National Arts and Crafts Society. She mainly engages in research on the history and theory of Chinese and foreign design, and has published more than 20 papers and interviews. Her published works include: Collection of Academic Thoughts on Chinese Modern Art and Design – Collected Works of Qiu Ling, Tradition and Learning: A Collection of Interviews on the History of the Academy of Arts & Design of Tsinghua University (main writer), A Brief History of the Academy of Arts & Design of Tsinghua University (main writer), Appreciation of Art (coeditor), etc.

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