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海峽兩岸民間工藝口述史叢書海峽兩岸木版年畫藝術(shù)口述史/海峽兩岸民間工藝口述史叢書 版權(quán)信息
- ISBN：9787533481179
- 條形碼：9787533481179 ; 978-7-5334-8117-9
- 裝幀：一般銅版紙
- 冊(cè)數(shù)：暫無
- 重量：暫無
- 所屬分類：>
海峽兩岸民間工藝口述史叢書海峽兩岸木版年畫藝術(shù)口述史/海峽兩岸民間工藝口述史叢書 本書特色
海峽兩岸民間工藝口述史叢書（第 一 輯）是國(guó)家出版基金項(xiàng)目，被納入國(guó)家十三五重點(diǎn)規(guī)劃項(xiàng)目！逗{兩岸木版年畫藝術(shù)口述史》是該叢書中的一本。本書通過對(duì)海峽兩岸木版年畫傳承人、研究學(xué)者口述資料的搜集與整理，一方面填補(bǔ)了該領(lǐng)域的史料空白，另一方面較為全面地展現(xiàn)了海峽兩岸民間年畫藝術(shù)的整體風(fēng)貌與發(fā)展現(xiàn)狀。
海峽兩岸民間工藝口述史叢書海峽兩岸木版年畫藝術(shù)口述史/海峽兩岸民間工藝口述史叢書 內(nèi)容簡(jiǎn)介
海峽兩岸民間工藝口述史叢書（靠前輯）是國(guó)家出版基金項(xiàng)目，被納入國(guó)家十三五重點(diǎn)規(guī)劃項(xiàng)目。《海峽兩岸木版年畫藝術(shù)口述史》是該叢書中的一本。本書通過對(duì)海峽兩岸木版年畫傳承人、研究學(xué)者口述資料的搜集與整理，一方面填補(bǔ)了該領(lǐng)域的史料空白，另一方面較為全面地展現(xiàn)了海峽兩岸民間年畫藝術(shù)的整體風(fēng)貌與發(fā)展現(xiàn)狀。
海峽兩岸民間工藝口述史叢書海峽兩岸木版年畫藝術(shù)口述史/海峽兩岸民間工藝口述史叢書 目錄
目 錄
前言：遙遠(yuǎn)的回響······················································1
**章 閩臺(tái)木版年畫的源流···········································7
**節(jié) 福建木版年畫·················································9
一、福建歷史與民俗文化···············································10
二、福建木版年畫的起源與發(fā)展········································13
第二節(jié) 臺(tái)灣木版年畫················································16
第三節(jié) 兩岸木版年畫的深厚淵源······································18
第二章 漳州木版年畫················································21
**節(jié) 漳州木版年畫概述············································23
第二節(jié) 漳州木版年畫的材料與工藝····································25
一、漳州木版年畫的工具與材料········································25
二、漳州木版年畫的制作工藝··········································29
第三節(jié) 漳州木版年畫口述史··········································34
一、顏仕國(guó)：“版畫靠我個(gè)人來演變，演變不來。” ··························34
二、顏志仁：“我愿意教刻版，但沒人愿意學(xué)啊！” ··························38
三、陳斌：“這個(gè)版每天都在消耗。” ···································39
四、周鐵海：“木版年畫是漳州的一個(gè)寶。” ·····························45
五、林育培：“如果漳州木版年畫失傳，那真的很可惜！” ·················51
第四節(jié) 漳州木版年畫精品············································60
一、門神畫、門畫····················································60
二、宗教用年畫······················································77
三、燈畫與紙?jiān)?middot;···················································83
四、戲出年畫、風(fēng)俗畫················································88
五、游戲圖··························································95
第三章 泉州木版年畫················································97
**節(jié) 泉州木版年畫概述············································99
第二節(jié) 泉州木版年畫精品···········································101
一、門神畫、門畫···················································101
二、燈畫與紙?jiān)?middot;··················································104
三、游戲圖·························································111
第四章 臺(tái)灣木版年畫···············································113
**節(jié) 臺(tái)灣木版年畫概述···········································115
一、 閩南移民與臺(tái)灣民俗文化·········································115
二、 臺(tái)灣年畫的發(fā)展簡(jiǎn)史············································117
第二節(jié) 臺(tái)灣木版年畫的材料與工藝···································120
第三節(jié) 臺(tái)灣木版年畫口述史·········································122
一、陳羿錫：“等人們意識(shí)到要保護(hù)的時(shí)候，它們已經(jīng)流失太長(zhǎng)時(shí)間了。” ·····························································122
二、楊永智：“臺(tái)灣現(xiàn)在有的是機(jī)器，有的是科技，卻沒有會(huì)手工印的師傅。” ·····························································129
三、吳望如：“所以我們讓孩子來做藏書票，但是我們后面的目的是推動(dòng)版畫的傳承。” ·····························································137
第四節(jié) 臺(tái)灣木版年畫精品···········································144
一、門神畫、門畫···················································144
二、宗教用年畫·····················································159
三、燈畫與紙?jiān)?middot;··················································161
四、戲出年畫·······················································164
五、游戲圖·························································166
參考文獻(xiàn)···························································169
后 記···························································171
展開全部
海峽兩岸民間工藝口述史叢書海峽兩岸木版年畫藝術(shù)口述史/海峽兩岸民間工藝口述史叢書 作者簡(jiǎn)介
主編簡(jiǎn)介
李豫閩，教授，博士生導(dǎo)師，F(xiàn)任福建師范大學(xué)美術(shù)學(xué)院院長(zhǎng)，美術(shù)學(xué)一級(jí)博士點(diǎn)帶頭人，美術(shù)學(xué)一級(jí)博士后流動(dòng)站帶頭人。福建省政協(xié)委員。全國(guó)百篇優(yōu)秀博士論文評(píng)審委員，文化部、教育部研究生教育藝術(shù)指導(dǎo)委員會(huì)委員，中國(guó)民間文藝家協(xié)會(huì)會(huì)員，中國(guó)美術(shù)家協(xié)會(huì)會(huì)員，中國(guó)美術(shù)家協(xié)會(huì)美術(shù)教育委員會(huì)委會(huì)，教育部哲學(xué)社會(huì)科學(xué)優(yōu)秀成果獎(jiǎng)評(píng)審委員，中國(guó)·閩南文化生態(tài)實(shí)驗(yàn)保護(hù)區(qū)專家委員會(huì)委員，福建省非物質(zhì)文化遺產(chǎn)保護(hù)項(xiàng)目及傳承人申報(bào)評(píng)選專家，福建師范大學(xué)非物質(zhì)文化遺產(chǎn)保護(hù)與研究中心常務(wù)副主任。2016年被福建省人民政府評(píng)為“文化名家”。
作者簡(jiǎn)介
王曉戈，湖北武漢人，美術(shù)學(xué)博士，F(xiàn)為福建師范大學(xué)美術(shù)學(xué)院副教授、碩士生導(dǎo)師、福建省文聯(lián)藝術(shù)委員會(huì)青年委員、福建省民間文藝家協(xié)會(huì)常務(wù)理事、中國(guó)民間文藝家協(xié)會(huì)會(huì)員。主要從事閩臺(tái)民間美術(shù)、工藝美術(shù)、手工藝設(shè)計(jì)研究。出版有《漳州木版年畫藝術(shù)》《閩南木版年畫研究》《中國(guó)木版年畫集成·漳州卷》（合著）等作品，另有多篇學(xué)術(shù)論文發(fā)表。主編簡(jiǎn)介
李豫閩，教授，博士生導(dǎo)師，F(xiàn)任福建師范大學(xué)美術(shù)學(xué)院院長(zhǎng)，美術(shù)學(xué)一級(jí)博士點(diǎn)帶頭人，美術(shù)學(xué)一級(jí)博士后流動(dòng)站帶頭人。福建省政協(xié)委員。全國(guó)百篇優(yōu)秀博士論文評(píng)審委員，文化部、教育部研究生教育藝術(shù)指導(dǎo)委員會(huì)委員，中國(guó)民間文藝家協(xié)會(huì)會(huì)員，中國(guó)美術(shù)家協(xié)會(huì)會(huì)員，中國(guó)美術(shù)家協(xié)會(huì)美術(shù)教育委員會(huì)委會(huì)，教育部哲學(xué)社會(huì)科學(xué)優(yōu)秀成果獎(jiǎng)評(píng)審委員，中國(guó)·閩南文化生態(tài)實(shí)驗(yàn)保護(hù)區(qū)專家委員會(huì)委員，福建省非物質(zhì)文化遺產(chǎn)保護(hù)項(xiàng)目及傳承人申報(bào)評(píng)選專家，福建師范大學(xué)非物質(zhì)文化遺產(chǎn)保護(hù)與研究中心常務(wù)副主任。2016年被福建省人民政府評(píng)為“文化名家”。
作者簡(jiǎn)介
王曉戈，湖北武漢人，美術(shù)學(xué)博士，F(xiàn)為福建師范大學(xué)美術(shù)學(xué)院副教授、碩士生導(dǎo)師、福建省文聯(lián)藝術(shù)委員會(huì)青年委員、福建省民間文藝家協(xié)會(huì)常務(wù)理事、中國(guó)民間文藝家協(xié)會(huì)會(huì)員。主要從事閩臺(tái)民間美術(shù)、工藝美術(shù)、手工藝設(shè)計(jì)研究。出版有《漳州木版年畫藝術(shù)》《閩南木版年畫研究》《中國(guó)木版年畫集成·漳州卷》（合著）等作品，另有多篇學(xué)術(shù)論文發(fā)表。
劉雅琴，山西大同人，本科就讀于福建師范大學(xué)美術(shù)學(xué)院服裝設(shè)計(jì)專業(yè)，研究生就讀手工藝設(shè)計(jì)與研究專業(yè)，在校期間曾多次獲得獎(jiǎng)學(xué)金，并有多篇學(xué)術(shù)論文發(fā)表。
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